Skip to content
Fair Play in Music

Timeline

The dates of the case, in order. Every entry rests on a document I keep. I do not publish contracts, private messages or recordings.

  1. I write to Tu Música that “Agua” and “Equipo Preferido” are my team's production and that my participation in them still has to be agreed.

  2. “Camisa 10” comes out. Tu Música releases it and ADA, a Warner Music Group company, distributes it. The album includes the two songs.

  3. Allan Jesus, of ASJ Consultoria, writes to me that he will help me solve it and asks for time. After that I stop receiving replies.

  4. Written notice to Warner Music Group. Warner acknowledges receipt on July 29.

  5. YouTube removes the content after my notice.

  6. A counter-notification is filed with YouTube to restore the content.

  7. Warner replies in writing that it acts only as a distributor, that it referred my claim to Tu Música, and that it will come back with an answer.

  8. The attorney for the intermediary who brought the two songs confirms in writing that he had no authority to license them and that authorization had to be requested from me.

  9. The two songs are no longer available on streaming platforms.

  10. The content becomes available again on YouTube.

  11. Tu Música replies through its attorney, with a copy to Warner. It rejects all of my claims and reserves legal action.

  12. I bring the matter in writing to the attention of Warner Music Group's Office of Compliance.

  13. The Copyright Claims Board of the U.S. Copyright Office finds that my claim complies with the requirements for bringing a claim (docket 26-CCB-0551). The claim is against Tu Música, one of its executives and Warner Music Group. Service on the respondents begins.

  14. I notify Tu Música's attorney of the claim. He replies that he is not authorized to accept service and that no documents will be accepted or forwarded. The next day he demands that I stop contacting him.

  15. I write directly to the chief executive officer of Warner Music Group and to other executives of the company. I ask for the “Camisa 10” revenue figures, for Warner to say whether it holds any signed authorization for “Agua” and “Equipo Preferido”, and for it to hold the revenue from those two songs.

  16. I notify Tu Música in writing of the missing royalty statements for the eleven songs under contract, with a copy to Warner and to its Office of Compliance.

  17. I write again to Warner's legal department, with a copy to a senior executive of the company. I list the requests that remain unanswered and ask for written confirmation, no later than October 13, 2026, of whether it is holding the revenue from the two songs.

Where things stand today

As of October 6, 2026, the two songs are not available on any platform. The royalty statements for the eleven songs under contract have not arrived.

Warner has not said whether it is holding the revenue from the two songs.

Service of the claim before the Copyright Claims Board is under way.

Warner's answer has not arrived either: it has been 64 days.

If a date is wrong, write to contacto@juegolimpioenlamusica.com and I will correct it. Corrections are recorded in The other side.